Get this from a library! Kreuzspiel.. [Karlheinz Stockhausen]. Analysis and appreciation of KREUZSPIEL (Cross-play) and SCHLAGTRIO And finally, revising the score during rehearsals or after initial performances. Kreuzspiel (English: Crossplay) is a composition by Karlheinz Stockhausen written for oboe, bass clarinet, piano and four percussionists in It is assigned.
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Your request to send this item has been completed. The amplification should be adjusted so that all the instruments can be scors equally well even in pianissimo passages, when the drums are playing and and so that the highest and lowest notes on the piano sound equally loud.
The composition consists of three linked movementsor “stages”. The loudspeakers should not be tipped downwards. Share on facebook twitter tumblr. Document, Internet resource Document Type: Each CD in this series is identified by Stockhausen’s signature followed by an encircled number.
Kreuzspiel, for oboe, bass… | Details | AllMusic
Crossplay is a composition by Karlheinz Stockhausen written for oboebass clarinetpiano and four percussionists in it was later revised for just three percussionists, along with other changes. Preview this item Preview this item.
No Linguistic Content View all editions and formats Rating: Don’t have an account? The cymbal players should constantly vary the place they strike the cymbals between the edge and the centre of the cymbal.
From Kreuzspieo, the free encyclopedia.
Newer Post Older Post Home. The upper edges of the 6 tom-toms should be tangent to the upper edge of the piano. Reviews User-contributed reviews Add a review and share your thoughts with other readers.
Since the piano keyboard faces the audience, it is easier to kreizspiel the pianist’s fingers playing the low and high alternating notes. HathiTrust Digital Library, Limited view search only.
Depending on the stage situation, the rims of the drums may be positioned 20 to 30 cm higher than the upper edge of the piano case, so that the bourgarabou drums may be seen better by the audience. Your list has reached the maximum number of items. Add a review and share your thoughts with other readers. Even without being aware of the “crossing” of pitch fields, the melodic elements of the pitched instruments interact with the percussive rolls and accents in a very organic, almost “jazzy” way.
Search WorldCat Find items in libraries near you. From that point to the end of the movement, the process is reversed, so that all notes arrive again in the two extreme registers, only the six notes originally in the top are now at the bottom, and vice versa. It also uses a permutational seven-element system to control register Toop— Please verify that you are not a robot. The treble of the piano is located at the right in the panorama as heard from the hallthe bass at the left resulting in a cross from the oboe high instrument at the left to the piano treble at the right, and from the bass clarinet low instrument at the right to the piano bass at the left.
Genre Chamber Music Classical. These gradually move into the four middle octaves until an equal distribution of pitches throughout the entire range is achieved at the centre of the movement. Allow this favorite library to be seen by others Keep this favorite library private. The pianist should play calmly with little bodily movement.
A tom-tom crescendo leads to the 1st stage. For the high piano pitches which have no mutes, it is recommended to scre the right pedal just before playing the note and release it precisely with the end of the note. The 2nd stage middle register piano material w cymbals enters at 0: Introspection Late Night Partying.
Scores and parts Additional Physical Format: Cancel Forgot your password? However, formatting rules can vary widely between applications and fields of interest or study. Drinking Hanging Out In Love. The E-mail Address es you entered is are not in a valid format. In this scene from “Musical Forming”,Stockhausen describes how each one of the 12 starting pitches starts at an extremely kruzspiel or kgeuzspiel point in this case highoscillates up and down moving towards the middle register and then back outwardsand finally ends up in the opposite register in this scoer low.
It is recommended to acoustically screen the sound of the tom-toms by placing pieces of thick dense foam rubber below the piano facing the tom-toms.