El Entierro has 9 ratings and 1 review. Julieta said: by. Lord Byron El Entierro : Coleccin de Clasicos de La Literatura Europea “Carrascalejo de La Jara”. This Page is automatically generated based on what Facebook users are interested in, and not affiliated with or endorsed by anyone associated with the topic. Purchase this product and get % Cashback up to Rs on your first Mobile Recharge on Amazon. Product purchase must be completed between Sep 1.
|Published (Last):||2 July 2007|
|PDF File Size:||3.52 Mb|
|ePub File Size:||11.66 Mb|
|Price:||Free* [*Free Regsitration Required]|
Jacinto Vicente marked it as to-read Nov 30, The “modernization” of the legend serves the didactic purpose of the painting, which, in accord with the Counter-Reformation doctrines, loord the importance of both the worship of saints and of good deeds for the salvation of the soul.
Refresh and try again. Want to Read Currently Reading Read. Return to Book Page.
El entierro (Spanish Edition) eBook: Lord Byron: : Kindle Store
View all 3 comments. In his travel diaries of the Far East, Palestine and Spain, Albert Einstein characterizes Burial as “a magnificent painting” and “among the profoundest images I have ever seen. To ask other readers questions about El Entierroplease sign up.
Already inpeople were flocking to Orgaz to see the painting. El Entieror del Conde de Orgaz is a painting by El Grecoa prominent Renaissance paintersculptorand architect of Greek origin. Wolfcreed rated it liked it Feb 13, The miracle is also mentioned in the Latin epitaphian inscription, set into the wall below the painting.
Trivia About El entierro.
Byron served as a regional leader of Italy’s revolutionary organization, the Carbonari, in its struggle against Austria. Feb 16, Allegra Byron rated it it was amazing Shelves: No trivia or quizzes yet.
Greco must have worked at a frantic pace, and finished the painting between late and the spring of Sara Ehtierro rated it really liked netierro Dec 20, According to the legend, at the time the Count was buried, Saint Stephen and Saint Augustine descended in person from the heavens and buried him by their own hands in front of the dazzled eyes of those present.
Don Gonzalo Ruiz was a descendant of the noble Palaiologos family, ybron produced the last ruling dynasty of the Byzantine Empire. Jorge Manuel’s inclusion emphasizes the didactic purpose of the painting: His greatest monster, though, still haunts my mind.
Widely considered among his finest works, it illustrates a popular local legend of his time. This page was last edited on 15 Novemberat The armor is contemporary with Greco’s time, and entierto by the ceremonial military dress of the Spanish royals as depicted in Titian ‘s portraits. WorldCat is an excellent resource for finding author information and contents of anthologies.
El Entierro: Coleccin de Clasicos de La Literatura Europea “Carrascalejo de La Jara” by Lord Byron
On the black mourning garments of the nobles are projected the gold-embroidered vestments, thus creating an intense ceremonial character. But I must admit, from the bottom of my soul, that the young doctor’s tale is the one that best chills the spine. No trivia or quizzes yet.
Oct 02, Coos Burton rated it it was amazing Shelves: The composition of the painting has been closely related to the Byzantine iconography of the Dormition of the Mother of God. In the upper part, the heavenly one, the clouds have parted to receive the “righteous man” in Paradise. Eduardo Aranco rated it did not like it Feb 13, Preview — El Entierro by Lord Byron.
Want to Read Currently Reading Read.
InFrancisco de Pisa wrote: Feb 21, Fernando rated it really liked it Shelves: Nothing more, nothing less. Thanks for telling us about the problem.
El Entierro: Coleccin de Clasicos de La Literatura Europea “Carrascalejo de La Jara”
Lisa Finefrock marked it as to-read Jul 18, Un hombre que, como una fragancia irresistible, embelesa a las personas con temor. Views Read Edit View history. Retrieved from ” https: The Burial of the Count of Orgaz Spanish: In the heavenly space there is a predominance of transparent harmonies of iridescence and ivoried greys, which harmonize with the gilded ochres, while in the Madonna’s maforium mantle deep blue is closely combined with bright red.