Henri Dutilleux’s Cello Concerto Tout un monde lointain () is so intimately wrapped up in his relationship with Mstislav Rostropovich, the work’s dedicatee. Dutilleux’s rapturous cello concerto written for Mstislav Rostropovich, is the highlight on this sensuous, stunningly performed disc. The music of Henri Dutilleux figured prominently in concerts of the National Symphony Tout un monde lointain? is one of the numerous concerted works.
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The piece opens with soft drum and cymbal rolls followed by a tentative note theme played by the cello.
Authority control MusicBrainz work: Log In Log In. A phrase, modal in essence, often interrupted by silences or by slow pulsations from percussion. Views Read Edit View history.
DUTILLEUX Cello Concerto “Tout un monde lointain”
Archived from the original on 20 December This is the first slow movement of the work. The cello part is consistently in the high register.
Henri Dutilleux – Tout un Monde Lointain () – Music Sales Classical
Tout un monde lontain; Metaboles; Mystere de l’instant. Our two hearts will be two large torches that will reflect their double lights in our two spirits, those twin mirrors The middle movement functions as duttilleux scherzo with an extremely difficult solo part. The Greatest Cello Concertos.
Rostropovich during his tenure as the orchestra’s music director, and all were conducted by Hugh Wolff: The superscription comes from the same poem as the title of the entire work: In addition to the solo cello part, the concerto is scored for two flutes, piccolo, two oboes, two clarinets, bass clarinet, two bassoons, contrabassoon, three horns, two trumpets, two trombones, tuba, celesta, harp, timpani, percussion bongos, tom-toms, snare drum, bass drum, crotales, triangle, suspended cymbals, cymbals, gongs, tam-tams, xylophone, marimba, and glockenspieland strings.
A mmonde world distant, absent, all but dead? Allegro “Garde tes songes: Lent et extatique ” The line is printed in full on the title page of the score:.
Compositions by Henri Dutilleux compositions Cello concertos Commissioned music Les Fleurs du mal in popular culture. Les sages n’en pas d’aussi beaux que les fous!?
Tout un monde lointain. . .,… | Details | AllMusic
The superscription comes from the same poem as the title of the entire work:. The music is at first quiet but leads to the main section which is highly rhythmic and displays extended techniques. Les sages n’en ont pas d’aussi beaux que les fous!
The principal motif of this central section is foreshadowed at the end of the cadenza in Enigme. Allegro “Keep your dreams: It ends with the soloist playing a high A, which is also the first note of the second movement. In addition to the inscriptions from Baudelaire, Dutilleux has provided his own brief descriptive comments. Dutilleuxx Latin New Age.
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Share on facebook twitter tumblr. The music forms a long arch and ends on a reprise of the motif that opened the work. Large et ample ” It was at Rostropovich’s urging, however, that Dutilleux got round to the project, and the work was recorded by Rostropovich and Serge Baudo shortly after they gave the premiere in July Ironically, by the time Dutilleux began to write it, Markevitch had been replaced and the work was premiered by Rostropovich and the Paris Orchestra in Aix-en-Provence in The cello line is modal in character and stays in the instrument’s high register.
A whole distant world