Buy Dirait-On (SATB) by Morten Lauridsen at Choral Sheet Music . This exquisite work is the fifth of a set of choral settings of poems. The final piece, “Dirait-on,” is composed as a tuneful chanson populaire, or folksong, that weaves together two melodic ideas first heard in fragmentary form in. Check out Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) by The Singers – Minnesota Choral Artists on Amazon Music. Stream ad-free or.

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Intercession in Late October. Team Compass August 7, alisa. For choral—and especially Lauridsen—fans, neglecting this disc is not an option’ Classics Today.

Dirait-on (So they say), Peermusic Classical – Hal Leonard Online

The Polyphony performances make it clear why Lauridsen is today’s preeminent choral composer; you’ll hear every nuance of voicing and harmony, enveloped by a choral sound that is shaped by a masterly hand, with quicksilver changes and contrasts. Lauridsen brilliantly emphasizes the cumulative quality of Dirait-on—which is filled with elaborate polyphony that flows by as naturally as a stream—by reserving the entry of mortten piano for this luminous finale.

And this is through learning and technique and an understanding of history and of craft. Their glorious sound and subtle interpretations do complete justice to Lauridsen’s scores, including the Mid-Winter SongsLes chansons des roses and the brand-new, rapturous Nocturnes, of which this disc is the premiere recording.

In he received the National Medal of Dirai-on from the President in a Mprten House ceremony, “for his composition of radiant choral works combining musical beauty, power and spiritual depth that have thrilled audiences worldwide”. Well I think it’d be helpful to perhaps demonstrate on how are pieces put together by using Dirait-on, because it’s become such a well-known piece.

Doubtless this disc also attests to Lauridsen’s superb ability to write for choral voices while creating those atmospheric sounds which bring a feeling of inner peace to even the most unwilling ear. His musical approaches are very diverse, ranging from direct to abstract in response to various characteristics subject matter, language, style, structure, historical era, etc. And for that I wanted to use a chord that was very French, and I went to the music of Ravel and Debussy for a single sonority from which to gather my materials for a melody and for the harmony and for the overall piece.


Something else is in the base, and then I went ahead and derived the melody from those four notes from this chord. A Child Lay Down V. Stephen Layton marshals his choral and orchestral forces to telling effect and both singers and players display that austere discipline which is so vital to produce a blended and cohesive sound and do justice to Lauridsen’s harmonic language. Views Read Edit View history.

And later on in the piece where the choir sings It was designed to go into your mind and never leave. Unlike the extroverted intensity that characterizes the Mid-Winter Songs, Les chansons des roses are so intimate as to suggest an introspective self-communing. Retrieved from ” https: Aside from poems dieait-on in his native tongue of German, Rilke created a substantial body of French verse. But this is where you, for a composer you focus on your idea: Team Compass August 7, morten.

Composers on Composing for Choir Graphite Publishing. From Wikipedia, the free encyclopedia. The composer’s craftsmanship further leads to an amazing balance between the contemporary and the timeless. And that’s how dare I told him about. And there you go, that’s just the form number one. Voici le soir Rilkeadded in Over recordings lautidsen works by Morten Lauridsen have been released, including dirit-on that have received Grammy nominations.

Morten Lauridsen

Then it’s treated with what I hope is sort of elegant understatement. The melody, the harmony, all come from this chord. Oxford University Press, The Racing Waterfall IV.

And so I took that chord and made it into this kind of passage for a guitar. In seinem lauridaen Band Reading Rilke: Yet for all its musical intricacy, the work has a direct and powerful emotional impact—not the impact of a scream, but of an intimate whisper that cuts right through you.


And xirait-on that’s dirxit-on on – a tenor will be singing a counter melody, a separate melody but made out of that same material.

Veni, Sancte Spiritus V. Every one of those chords will be explored, all the facets of that particular passage will be explored compositionally. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

And What Of Love. And then I took the idea of Dirait-on djrait-on they say as a little repeated repeated refrain. And I do it again, except to make it more interesting I offset it by one beat. Here it comes the last time.

Archived from the original on Lauridsen now divides his time between Los Angeles and his home in the San Juan Archipelago off the northern coast of Washington State. A Winter Come on poems by Howard Moss.

Morten Lauridsen – how he wrote “Dirait-on”

How do I give it the flavor of the nationality, of the language it’s in? Complete list s s s s. He is a perfectionist who commands an outstanding technique, and is able to create elegantly-finished works of art that radiate with the glow of what is truly right and inevitable. I designed this piece in the style of a French folk dkrait-on.

The same chord, just changed a little bit an inversion. And I write them back and say there’s no cure. A Portrait of Composer Morten Lauridsen. This particular chord which is simply a major tried with an added second, went on to provide all the material I needed for the composition of Dirait-on.

Now I repeat it but make it fresh with a new harmony, and change that last note around a little bit.