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Jazz Story I love jazz because it gives me freedom of mind. My Content Membership has its privileges! John Coltrane – saxophone. Yemen Yugoslavia Zaire Zambia Zimbabwe. He was a musical chameleon and yet he formed his own unique approach to the piano, a poetics based on the silence and space of the notes and an emphasis on empathetic restraint that unfortunately made some people believe that he wasn’t that accomplished a pianist.

After the stating of the theme, silence sets in with the buzzing sound of a bowed bass and Komeda’s crystalline chords spread out like broken glass on a cold pavement. Rather than playing fast and with many notes, he strategically places his chords and adds nuance and colour to the touch while keeping the feeling of swing, the rhythmic breathing of time. Two influences, which might seem as far as one could possibly get from each other, are merged in the musical universe of Komeda: There is a particular strong moment on “Astigmatic” where the naked sound of Namyslowski’s saxophone calls out in the darkness before it’s woven into the ever-changing web of the musical pattern.

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In reality, the two aspects of his work are not to be separated.

Membership has its privileges! Thus, the ambiguous nature of Komeda’s music is carried out perfectly and yet something is missing: For Pros Sign in or sign up to create or claim your musician profile page. This is a quality of Komeda’s music: Thus, to listen to Komeda is to discover a world of notes in the space between chords, a structure in silence and a musical image that is able to contain almost everything precisely because it is nearly nothing. Review our musician toolkit page. Tomasz Stanko – trumpet.

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Read on to view our project ideas The music on Astigmatic is played by a quintet consisting of trumpeter Tomasz Stanko, alto blalad Zbigniew Namyslowski, bassist Gunter Lenz and drummer Rune Carlsson who all join the leader. Komeda directs the ebb and flow of the notes where various musical voices play significant parts.

KNIFE IN THE WATER (1962): Ballad for Bernt

He composed with the unpredictability of the improvising instrumentalist and he played with the conceptual overview of a composer. Here, one can sense a poet at work, exploring and arranging, finding that singular voice, which has made his life’s work a lasting musical legacy.

Learn forr and read our FAQ. While Bobo Stenson is an inventive stylist in his own right, he is hardly a substitute for the idiosyncratic playing of Komeda, which gives his compositions their distinctive colour and mood.

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Litania – The Music of Krzysztof Komeda | Tomasz Stańko

Count Basie and Johann Sebastian Bach. To this day, the influence of Polish composer and pianist Krzysztof Komeda – piano.

Search News by title. Quotations are taken from the liner notes to Litania.

Search Reviews by musician. I love jazz because it gives me freedom of mind. Albert Ayler – saxophone, tenor.

Krzysztof Komeda – songtitels – Muziekweb

Search Articles by musician. Count Basie – piano. The soothing voice of a single chord is in direct correspondence with the polyphony of different musical voices shouting against one another. For Pros Sign in or sign up to upload your events. As part of the process, Stanko studied every archival recording available of Komeda’s music and a very special group was assembled including some of ECM’s most prominent players: Komeda Power Bros Records buy.

Power Bros Records buy. He expanded the range of expression in jazz by adding a dramatized lyricism – it’s force reaching the intensity of ecstatic and mystical experience. Speaking of the piece, Tomasz Stanko says: